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from Patio and Hearth Products Report


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Industrial Modern @ Buggy Works

How a former horse-dawn buggy factory evolved into a chic contemporary hideaway.

There has been something of an industrial design Renaissance happening in the rust belt and across the nation.  Recently, we discovered an old Buggy Works factory in Ohio that has been re-purposed and remodeled into modern condominiums.

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The residents here have embraced the historic nature of this old factory, while adding their own modern touches along the way.

This month we interview Cyndi Collins, take a look at her version of industrial modern design and dive a little into the history of this bygone era buggy factory.

Read More Here

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You’ve never seen anything like this renovated Belgian Home.

In their April 2017 issue, Interior Design Magazine wrote a story about a truly unique renovation out of Belgium, featuring the suspended Bathyscafocus fireplace.

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The architectural firm, B-Architecten, took a 1930s home with good Modernist bones and did something truly remarkable.

www.europeanhome.com


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Wood Shed Competition Alaskan Style

You can’t teach an old dog new tricks, or can you? Recently, The Woodway, the premier hearth retailer in the interior of Alaska, introduced the first ever Wood Shed Competition for residents of Fairbanks, North Pole and neighboring small communities.

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Fairbanks has some of the worst winter time air quality issues in the entire United States. For Kent Severns, owner of The Woodway, proper operation of clean burning stoves and properly seasoned firewood are of paramount importance for improving the air quality. For wood to season properly it must be given the adequate time, protection and air circulation. A good woodshed is a must. Air quality issues center on the importance for wood burners recognizing the need to burn well seasoned fuel and that can only happen when wood is harvested as to allow for long enough periods of drying time and protecting it from the elements.

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What better way to capture the interest of the wood burning community and raise awareness to the need for dry wintertime fuel than to conduct a contest and award prizes, like a new chainsaw or free chimney sweeping or wood splitter rental. All entrants received a free moisture meter as well. This past summer more than 40 individuals submitted pictures of their wood storage sheds and through a process of elimination, the top five entrants had their sheds examined and evaluated by a panel of 3 judges.

Jim Smith with the State of Alaska Forest Service, Chris Neufeld of Blaze King Industries and Jeff LeClaire of ICC Industrial Chimney Company were recruited by Severns (far right) to lend their expertise.

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So exactly what were the judges looking for? The top 5 wood sheds were judged on functionality, aesthetics and structure. With score sheets and moisture meters in hand, the judges set off to visit the homes of the finalists.

Functionality required consideration to orientation for wind and exposure to the sun. Protection from the elements, such as having an overhang to keep rain and snow from access to the stored fuel. Proximity to the home, ease of access and consideration for rotation of fuel from one season to the next. Lastly, method of stacking of the fuel, safety and ground clearance rounded off the consideration. Many of the sheds lacked sufficient overhangs, side or rear protection and with any sort of wind at all, the rain or snow could easily access the stored wood.

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Aesthetic considerations included general appearance, proximity to neighboring homes or property lines, street views, investment or material costs and when applicable the integration of recycled materials. Clear working areas, free of debris and piles of scrap materials which might encourage insects, like carpenter ants are important as well. Of course, no wood shed in Alaska is complete without proper decoration.

Structure parameters centered on construction quality, engineering, choice of materials and workmanship. It is paramount that a properly engineered wood shed can handle the snow load experienced in the interior of Alaska.

So what were some of the highlights of the competition? One wood shed received high marks across the board until you realized the owner had built it with a few feet of his neighbor’s garage, creating a potential safety issue as well as requiring the neighbor to look at the back of a wood shed.

Wood sheds with solid floors, such as ply wood, limited air movement and resulted in moisture accumulation, creating an environment for mold and rot. Floors built with pallets or slat designs allowed for more circulation of air through the wood pile.

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One shed owner scored extra points for reusing trusses from another building project as did another shed owner for recycling the rubber roof removed from a motorhome that was in the process of being parted out.

The ability to store more than one seasons supply and having a detailed rotation system was viewed as a bonus. Building a shed that is 8’ in depth and then only using the front half of the stored wood will result in unnecessary handling of wood in order to rotate oldest wood to the front of the shed.

The eventual first place winner had a wood shed with a divided design, sliding doors, rain gutters with down spouts and excellent air circulation design for all sides, and the floor of the shed.

To see all the actual entries, visit

https://www.facebook.com/pg/TheWoodwayAK/photos/?tab=album&album_id=11 02003933232463

www.thewoodway.com


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Designer Melanie Williams on Her Minimalist Masterpiece: The Tribeca Loft – featuring European Home

Melanie Williams Bespoke Interiors is a London-based architecture and interior design consultancy that mainly works in local high end residential projects. One of their most recent projects took them across the pond and into a New York City [Tribeca] apartment.

Many of their signature design elements such as intricate textures, industrial materials, and subdued color palettes are featured alongside a beautiful 8-foot wide see-through fireplace by Element4. We had the opportunity to ask Melanie a few questions about her own design style, and the inspiration that informs her work.

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What was one experience you had as a young professional that changed the way you looked at design?

MW:  Working on my own first home in London was a great experience and it taught me a lot. Designing for my young growing family was a great lesson in designing practical spaces and designing to create impact without blowing the budget. Every project provides its own unique learning as each project we have worked on is so different with different clients with varying needs and wants. This keeps things fresh and is why I love what I do. No day is ever the same.

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What are some of your main influences right now?

MW:  My design style always leans towards the more minimalist, clean aesthetic — but having moved to the countryside and now working on a Hamptons weekend house, I am finding that I’m drawn to more natural, rustic influences and materials/textures etc. Some of my current inspiration/influences are nature and the changing seasons. I also admire a lot of Belgian architecture which I am currently finding inspiring — the way old and new are mixed.

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Are there any details in this design that you were particularly proud of?  

MW: For me the greatest achievement has been creating an apartment with a great flow of space. All of our projects focus on this first and foremost. One thing that struck me on viewing a number of Tribeca apartments was the lack of an entry hall. It felt wrong to enter the living spaces immediately. There should always be a defined arrival space that can welcome you and that can provide practical elements such as cloakroom, a place to put mail and keys and in this project’s case, a space where strollers and scooters for the young children could be put away out of sight.

We also had to maintain a large open plan space to have the real sense of being in a Tribeca Loft apartment. We used elements such as the 2 sided fireplace to  zone the open plan space so that each area within felt distinct but well connected.

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You can’t talk about this space without talking about the interplay of different textures.  I especially like the brick and marble walls “facing-off” in the kitchen.  

MW:  I always think it’s a matter of balance and contrasts. Like the interplay between old and new can be very powerful, so can textures. If there’s the right balance of textures then they all enhance each other. The crisp, clean lines of the mirror glass features against the rough worn original brick and plaster work works really well and makes you appreciate these qualities even more by their juxtaposition. The marble was chosen due to its strong and dynamic veining giving drama and a luxe edge to the kitchen. The brickwork in its own way is a strong material contrasted by the surrounding by the crisp kitchen cabinetry. They frame the kitchen space well.

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The palette is so subdued throughout the house it makes the pop of yellow in the nursery look so brilliant and saturated. 

MW: The apartment was designed to allow an organic flow. The colors and tones were generally picked to relate to the original industrial palette of materials, dark bronze, concrete, exposed brick and in some parts we were even able to salvage the original tin ceiling. The kids room was a chance to inject some playfulness and fun and create a space that belonged to the younger residents! Yellow is a gender neutral color which was important to the client and is a bright, happy and positive color that works well with the rest of the apartments palette.

The selection of the wallpaper was also a nod to the property’s location in Manhattan as it features beautiful illustrations of Manhattan’s skyline and streetscape. The wallpaper is called ‘A Morning in Manhattan’ and is by Famille Summerbelle. We were lucky enough to get the last remaining available rolls sent to us from the UK and had just enough to complete this room.

The fireplace is a strong focal point and architectural feature for this open floor plan.  How did you come to choose this specific fire?

MW:  We researched a lot of products to find the right piece for the space. [At 8 feet wide] The size of this dual sided fire was of course one of its biggest appeals for us in designing a dividing wall feature. The wall had to be sized appropriately to suit the space and to provide the right amount of zone separation between living space and dining space whilst still allowing the right amount of space to flow around. The dual sided element is brilliant. It provides a focal point to both the spaces either side.

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I love the surround material around the fireplace.  Every detail seems so completely considered.  

MW:  The surround to the fireplace is plastered in a specialist plaster finish to provide a distressed concrete finish. We used a specialist plasterer flown out from London to carry out this work as we could not find an installer who could do this work in NY. The finish is not uniform or flat in its appearance and therefore provides an interesting tactile/textural finish. The side ends are detailed with dark bronze metal panels that conceal storage space for all the AV equipment to control lighting and sound throughout the apartment.

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http://www.europeanhome.com

Citations:

European Home
This space was Designed by Melanie Williams Bespoke Interiors in collaboration with Studio Stigby
Photography by Paul Craig (Instagram: @paullmcraig)
The Tenore 240 fireplace was installed by Westbury Fireplace and Stove in Westbury, NY


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Holly Markham and David Hacin talk: Design | Baked Goods | Modern Fireplaces

Welcome to Flour Bakery in Cambridge, MA.  When you walk through the door your senses are pleasantly lulled into submission by the smell of fresh cinnamon rolls, the sight of reclaimed wood, and the warmth rolling off a 4-sided modern fireplace right in the center of it all.  This space was designed by David Hacin and his team at Hacin + Associates.   In this short interview, David and Holly Markham talk Scandinavian design, Joanne Chang, and modern fireplaces.

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Who are the key players?

Holly Markham: Founder of European Home — a design-forward manufacturer and distributor of modern, luxury fireplaces.  European Home has been a thought-leader and taste-maker in the hearth industry since 1999.

David Hacin, FAIA: Founder of Hacin + Associates — an architecture and design studio located in Boston’s South End.  H+A’s dedicated team of design professionals has built a broad portfolio of projects that have received regional, national and international recognition.

Joanne Chang: Chef and restaurant owner of Flour Bakery.  In 2016 Joanne was awarded the James Beard Foundation Award for Most Outstanding Baker.

Holly: We heard about this project about a year ago, and I said Flour, as in Joanne Chang? And without hesitation, we were all on board. Can you tell us a little about the project?

David: The project is a new location for Flour, in Cambridgeport. It is in more of a tech-community part of Cambridge, which was lacking in places to go and hangout. BioMed Realty contacted Joanne Chang of Flour, and us, about creating a new cafe area to serve the community. They had a fantastic space available and we were all really excited about this opportunity. We got to work with Joanne and her partner Christopher Myers to develop a concept of how this space could feel.

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H: What were the iterations along the way for the concept?

D: From the very beginning BioMed Realty was really interested in creating a warm cozy place, in what was generally more of a corporate environment. He was excited about putting a fireplace in to make it almost as if it were a living room for the community, not just a Cafe. We wanted it to be a casual place you could just hang out, spend some time reading a book or on your laptop. Our goal was to make it as much of a community center as it is a Cafe.  As I speak, you can hear voices of kids and coffee all around me. We were very interested in creating a focal point for the space. We worked with not only art consultant groups finding artwork for walls, but finding a fireplace became essential to the idea of making a living room in this area.

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H: I love all of the accessories. The furniture, neutral colors, how did that all come together?

D: It was all part of our design aesthetic. Flour has a particular palette, that I would describe as a little bit Scandinavian. The woods, pale blue, whites — we worked off that to select floor colors, stone colors, the wood wall that surrounds the pastry cabinet and black accents throughout.

Click Here to see a video of the conversation.

www.europeanhome.com


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Infinity Canopy at The Metropolitan Museum of Art

NEW YORK, NY – This year’s MET roof garden commission, The Theater of Disappearance, by the Argentinian artist Adrián Villar Rojas, includes Infinity Canopy as an integral part of the exhibit’s visual design, and to provide shade and protection against the elements for the rooftop bar.

Screen Shot 2017-06-26 at 9.33.42 PM.pngThe exhibit features replicas of hundreds of museum artifacts arranged and fused together to form new pieces with the Infinity Canopy in the background.

​The 40’x34’ Infinity Canopy featuring Sunbrella Firesist fabric was fabricated and delivered within a week from the order date to meet the deadline for installation and subsequent opening of the exhibit. However, after the canopy was installed, it was discovered that in one area the canopy was two feet short due to a conflict between the submitted plans and the actual trellis size.

Screen Shot 2017-06-26 at 9.36.53 PM“Originally, MET museum officials were looking for a cover for their new pergola extension and they were looking for the canopy with the scalloped look,” explained Alan Shargani, founder, Infinity Canopy, Los Angeles. “They had contacted many local companies but when they learned about the modular design of the canopy, which allows it to be modified and re purposed later, and our ability to deliver the canopy to them on time, they selected Infinity Canopy.

Screen Shot 2017-06-26 at 9.34.03 PM.png“They love the canopy’s looks,” continued Shargani. “They were thrilled and relieved that we were able to lengthen a canopy that was ordered short by mistake, and do it quickly and easily.”

Visiting the museum this summer? Take pictures, tag @infinitycanopy and post to your social media to receive a special discount. The exhibit will be on display until October. The installation was provided by the local Infinity Canopy dealer, GSS Awning.

www.infinitycanopy.com


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New Collections From South Sea Outdoor Living

Screen Shot 2017-06-26 at 12.50.56 PMThe NICOLE Collection

The Nicole collection brings together unexpected textures and lines to create a beautifully uncommon look. Nautical nylon rope is wrapped over powder coated, extruded aluminum framing. Sling suspension for each individual seat offers maximum comfort that is equally durable. The Nicole is available in any of the stocked and special order fabrics available at South Sea Outdoor Living. Available in both conventional seating and sectional configurations with coordinating occasional tables.

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The RYAN Collection

The Ryan collection showcases an open and airy aesthetic that is equal parts elegant and bold. The extruded aluminum framing is hand-brushed in a tonal, dark gray finish. A stained concrete veneer on the table tops creates the compelling look of a solid slab without the weight and bulk. All Ryan seating comes with individually wrapped sling suspension under each seat for maximum comfort and durability.

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The FARLOWE Collection

The Farlowe collection marries au courant design with construction quality to uphold its timeless style. The extruded aluminum framing is hand-brushed to create a lightly weathered gray-white finish that is profoundly popular today. Farlowe features individually wrapped sling suspension under each seat for maximum comfort and performance. South Sea offers hundreds of stocked and special order upholstery fabric options for cushions, providing dealers the freedom of options for retail programs.

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www.southsearattan.com


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Transparent and Top-Notch — Thermo-Rite Adds to its Legacy

Screen Shot 2017-06-07 at 11.06.44 AM.pngRoy K. Allen bought Thermo-Rite Manufacturing in 1985, taking the reins of the respected Ohio-based company that began in 1942. Back in the 1940s, Thermo-Rite Manufacturing originated the tempered glass fireplace enclosure. In fact, Thermo-Rite was awarded the first United States Patent for tempered glass fireplace enclosures—a patent they held exclusively from 1946 to 1963.

Since 1985, Roy Allen has preserved and grown the company’s considerable legacy. Patio & Hearth Products Report sat down with Roy to discuss the company’s past and bright future.

 

Patio & Hearth Products Report (P&HPR): What are some other key elements of the company’s success and longevity?
Roy K. Allen: The founder, John Lydle, was creative, and a very high quality minded person. He not only invented the product, but it was a product that was in the finest homes in America. For many years, the glass doors were made out of solid brass, mostly using clear glass, although later on, bronze glass and gray glass came into play. But it started out as all solid brass.

Screen Shot 2017-06-07 at 11.36.31 AMP&HPR: How have tastes/preferences evolved?

Allen: Back in 1990, we were still 90 percent solid brass. But the buying public changed, and solid brass became not so popular. Today, we are about 85 percent aluminum—mostly painted with earth tone color. We have 15 heritage colors. Then we have about 12 percent quarter-inch steel, and the balance is a combination of solid brass and aluminum.

P&HPR: What are some of the key products that are selling well and design features that are popular?
Allen: First of all, we are about 60 percent custom doors. We make one of a kind, and we make them from a template that is sent in by our customers. We sell these doors all over the United States, Canada, England, Spain, and Norway. What makes us unique is that we have a high-end custom line of door products, and we have about 24 different SKUs of products featuring different types and models.

Empty classic interior of a room with fireplace over black wallP&HPR: How has the company managed to stay successful for all these years?

Allen: One of the things that has allowed for the longevity of Thermo-Rite has been our creative and new designs and new products. For example, about 20 years ago, all glass doors had a frame around the glass. We created what we call a clear view door. We took all the frames off of the glass so that the homeowner would be able to see the fireplace without seeing any of this metal around the glass. That was probably one of the major changes in the glass door industry in the last 40 years.

Heritage 2 DayMore recently, for example this past year, we added a group of doors to what we call our Artisan series, and here again we’ve done something completely different. We’ve created a door that has rounded corners on the top. We sold doors with arches on them for years, and that’s a complete arch. This is a door that softens the area in a room with the rounded corners.

P&HPR: When did dealers get a chance to see that?

Allen: We introduced it at the show this past year, and it was an instant hit. So we’ve done that, and then we’ve also come out with a new door that kind of has an old world gothic type look. Both of these doors are quarter inch steel type doors. And all of our custom quarter inch steel doors are painted one of 15 different heritage colors, so customers can select a color. In fact, they can go on our website, pick the color, and transpose it onto a doorframe of their choosing. That’s something that we just updated on our website. We upgraded it in a big way.

Vintage living roomP&HPR: For dealers who are considering carrying your products, what are some benefits that dealers would enjoy?

Allen: Our creativity and new products is something that dealers like to show their customers and a new dealer is going to look to us for that. We’re the only glass door company in the industry that actually has three different doors that we carry in inventory at all times. And we carry those in six or eight sizes, depending on the door. They can call us and in less than two days, and we can ship that product to them. So there’s a major interest level for our dealers and for prospective new dealers.

Screen Shot 2017-06-07 at 11.15.46 AM.pngWe’ve been around, and I guess you could call us the grandfather of the industry. We’ve been around so long, and we have so many skilled people internally. For example, we have a great customer care department on the phone that can literally tell someone how to install a glass fireplace door. That’s invaluable to dealers and installers around the country, and we are known for that. Our reputation is one of being above average in that regard. All of this is a credit to our invaluable employees.

www.thermo-rite.com